The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. He laughed to hide his uneasiness. A knot of three policemen in conflict with her staggered toward Ann Veronica’s attendants and distracted their attention. Marvel. She took the piece of paper and unfolded it in the safety of her lap. He uttered a deep groan, but said nothing.
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