"You mentioned Mrs. ” For some creditable moments in her life Ann Veronica was utterly disgusted with herself; she was wrung with a passionate and belated desire to move gently, to speak softly and ambiguously—to be, in effect, prim. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. ‘Is it such a terrible prospect? I will take care of you—as long as you obey me. "What would my poor mother say to it?" "I was sorry to see that about your mother, Jack," observed Hogarth. “Parmesan—take it away!” He glanced at Ann Veronica’s face, and it seemed to him that she really was exceptionally radiant. Some of the people who watched them standing side by side thought they must be newly wedded because of their happy faces, and others that they were an old-established couple because of their easy confidence in each other. ‘I haven’t been so much entertained since I left the Army. Practically all. A child—as innocent as a child! Nothing about life; bemused by the fairy stories you writers call novels! I don't know what you have done; I don't care.
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