“Your father is dead too, I believe,” he continued, “and your mother. The drawers at the moment were too busy to attend to her, and she would have seized the opportunity of examining, unperceived, the assemblage within, through a little curtained window that overlooked the adjoining chamber, if an impediment had not existed in the shape of Baptist Kettleby, whose portly person entirely obscured the view. She had exposed the real story behind Peters tragedy, that dark, handsome Chuck had killed himself by leaving the car running in the garage, not from a “heart attack” as 111 claimed the party line. “See you to-night, I suppose?” He sauntered off.
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