“I heard the other day that she’d been taken in by some cad of a fellow who was cutting a great dash in Paris, personating Meysey Hill, the great railway man. Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. That a longing of hers should be realized in this strange fashion was difficult to believe: it vaguely suggested something of a trap. But she made no answer. . . “Please have a seat. The tiles lay a foot thick in the road. Some of their specimens—wonderfully selected, wonderfully got up. Jack, meanwhile, heard, the shouts, and, though alarmed by them, held on a steady course. ’ ‘You ain’t never,’ gasped Pottiswick. "Leave the room," interposed Kneebone, angrily. But,” and he faced them both with a still expressionless glance, “this is not the end!” Anna recovered her spirits with marvellous facility.
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