Bulging out more in the middle than at the two extremities, it resembled an enormous cask set on its end, —a sort of Heidelberg tun on a large scale,—and this resemblance was increased by the small circular aperture—it hardly deserved to be called a door—pierced, like the bung-hole of a barrell, through the side of the structure, at some distance from the ground, and approached by a flight of wooden steps. The birds were singing blithely amid the trees,—the lowing of the cows resounded from the yard,—a delicious perfume from the garden was wafted through the open window,—at a distance, the church-bells of Willesden were heard tolling for evening service. Forever Fifteen’s characters can be seen proliferating in any affluent suburb near you: the middle class family struggling to survive in a uber-posh neighborhood while supporting three kids, the listless sixteen year old gifted student who decides Nazi fashion is “cool” for a week, the over-involved Ivy League bound kid next door, and the remodeling-obsessed ice queen sadly more interested in keeping up with the Joneses than with loving her own family. You’re all dependents—all of you. The other lay unconscious in a heap.
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