" "Thought so. “The visit seems to have made a most painful impression upon him. ‘You are dead, you,’ he yelled back, leaping into the seat of the final pew. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. “My dear girl,” he said, in a tone of patient reasonableness, “you are a mere child. After all, this could never be the black sheep. It isn’t pretty, but we’re made so. ‘Will you—what was it?—“blow off his head”?’ Melusine eyed her, a little uncertain. The man could put a bullet through her before she could hope to reach any one of them. I’m convinced that much of Russell’s investigations are on wrong lines, unsound lines. “You told me that your name was Meysey Hill. "These writer chaps are queer birds. ‘But I’m hanged if I know why you find it so amusing. “It is possible,” Courtlaw said, “that you too were deceived.
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