Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Why wasn't the world full of love, when love made happiness? Why did people hide their natural kindliness as if it were something shameful? Why shouldn't people say what they thought and act as they were inclined? Why all this pother about what one's neighbour thought, when this pother was not energized by any good will? Why was truth avoided as the plague? Why did this young man have one name on the hotel register and another on his lips? Why was she bothering about him at all? Why should there be this inexplicable compassion, when the normal sensation should have been repellance? Sidney Carton. "Is she alive?" "She is not," replied Trenchard, overcome by conflicting emotions, and unable to endure the boy's agonized look. There was more shouting. "I am twenty," said the girl.
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