On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. In a very definite sense we are in the wrong —hopelessly in the wrong. Meanwhile, the object of all this fearful disturbance had made his escape to Newgate, from the roof of which he witnessed the destruction of his premises.
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