On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. To vault over the pews was the work of a moment; and having gained the entry leading to the Red Room he passed through the first door; his progress being only impeded by the pile of broken stones, which he himself had raised. Here was a terrific figure gnashing his teeth, and howling like a wild beast;—there a lover, with hands clasped together and eyes turned passionately upward.
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